29 de Noviembre de 2009

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Laurie Anderson - Live At Town Hall, N.Y. (2002)

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Here With You
Statue of Liberty
Let X = X
Sweaters
My Compensation
Washington Street
Pieces and Parts
Strange Angels
Dark Angel

Wildebeests
One Beautiful Evening
Poison
Broken
Progress
Animals
Life on a String
Beginning French
O Superman
Slip Away
White Lily
Puppet Motel
Love Among the Sailors
Coolsville


credits

Jim Black drums, electronic percussion
Laurie Anderson vocals, keyboards, violin
Peter Scherer keyboards, sampling
Skúli Sverrisson bass, concertina
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Laurie Anderson - Language Is A Virus (1986)

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... from "HOME OF THE BRAVE : A film by Laurie Anderson"
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El Paraíso es exactamente Donde estás ahora mismo Sólo que mucho mucho Mejor. Ví a este chico en el tren Y parecía atascado En uno de aquellos trances abstractos. Y se estaba yendo: “Ugh…Ugh…Ugh…” Y Fred dijo: “Pienso que padece algún dolor. Pienso que es un lloro de dolor.” Y yo dije: “¿Lloro de dolor? Entonces el lenguaje es un virus. “¡El lenguaje! ¡Es un virus! ¡El lenguaje! ¡Es un virus! Bien, estaba hablando con un amigo Y yo le decía: te quería. Y te buscaba. Pero no podía encontrarte. No podía encontrarte. Y él dijo: ¡Eh! ¿Me estás hablando a mí? ¿O solo estás practicando Para una de tus actuaciones? ¿Huh? ¡El lenguaje! ¡Es un virus! ¡El lenguaje! ¡Es un virus! Dijo: Tuve que escribir esa carta a tu madre. Y tuve que decirle al juez que fuiste tú. Y tuve que vender el coche e irme a Florida. Porque ésa es mi forma de decir (es un encanto.) Que te quiero. Y (es un trabajo) tuve que llamarte al amanecer (¿Por qué?) Y enumerar las veces que me había equivocado. Porque ésa es mi forma de decir Que lo siento. (Es un trabajo.) ¡El lenguaje! ¡Es un virus! El Paraíso es exactamente Donde estás ahora mismo Sólo que mucho mucho (es un naufragio,) Mejor. (Es un trabajo.) ¿Sabes? No creo que haya cosas como la televisión, Quiero decir – Te muestran las mismas imágenes una y otra vez. Y cuando hablan sólo emiten sonidos Que más o menos gesticulan Con sus labios. ¡Eso es lo que creo! ¡El lenguaje! ¡Es un virus! ¡El lenguaje! ¡Es un virus! ¡El lenguaje! ¡Es un virus! Bien, soñé que había una isla Que emergió del mar. Y todo el mundo en la isla Era alguien de la televisión. Y había una hermosa vista Pero nadie podía ver. Porque todo el mundo en la isla Decía: ¡Mírame! ¡Mírame! ¡Mírame! ¡Mírame! Porque todos vivían en una isla Que emergió del mar. Y todo el mundo en la isla Era alguien de la televisión. Y había una hermosa vista Pero nadie podía ver. Porque todo el mundo en la isla Decía: ¡Mírame! ¡Mírame! ¡Mírame! ¡Mírame! ¡Mírame! El Paraíso está exactamente Donde tú estás ahora mismo Solo que mucho mucho mejor.
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Buddy Cole - Hot & Cole (1959)

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tracks

Christopher Columbus
The Dipsy Doodle
Judy
I've Got My Love To Keep Me Warm
Lullaby Of The Leaves
Idaho

Tuxedo Junction
Amor
As Long As I Live
Opus # 1
I'll Remember April
Jersey Bounce
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Buddy's last recordings were released as part of Alshire's "Pipe Organ Plus" series. Originally brought in to play the piano part, his fascination with pipe organs led him to suggest a more prominent role, and he ended up recording these parts on the pipe organ he had built for himself in his own home.
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las + carátulas

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Carátula exquisita, el contenido también...
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Laurie Anderson - Life On A String (2001)

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tracks

One White Whale
The Island Where I Come From
Pieces And Parts
Here With You
Slip Away
My Compensation
Dark Angel
Broken
Washington Street
Statue Of Liberty
One Beautiful EveningLife On A String
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credits

Laurie Anderson vocal, keyboard, violin, gongs, percussion
Ben Rubin bells
Bill Frisell guitar
Chris Speed saxophone
Cuong Vu trumpet
Danny Frankel percussion, hand claps, "box-o-toys"
David Torn open loop
Eric Friedlander cello
Eyvind Kang violin
Greg Cohen acoustic bass
Hal Willner turntables, samples
Jamshied Sharifi keyboards, strings
Joey Baron percussion, drums
John Kelly background vocal
Liheng bariton banhu
Lou Reed guitar
Mino Cinelu percussion
Mitchell Froom keyboards, claviola, mellotron, wurlitzer
Mocean Worker beats, keyboards
Peter Scherer keyboards, percussion
Tom Nelis vocal
Skúli Sverrisson bass, high bass, little organ, percussion programming
Van Dyke Parks string arrangements, keyboards
Vinicius Cantuaria percussion
Ann Leathers, Carol Webb, Jan Mullen, Jonathan Dinklage, Ricky Sortomme, Joel Pitchon, Ellen Payne, Barry Finclair, Enrico Di Cecco, Heidi Modr & Jean Ingram: violin
Sue Pray, Karen Dreyfus, Vincent Lionti & Judith Wilmer: viola
Fredrick Zlotkin & Jeanne LeBlanc: cello
Timothy Cobb bass

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Laurie Anderson - Gravity's Angel (1986)

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from "HOME OF THE BRAVE: A film by Laurie Anderson" (1986)

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IntegrArte de Tapa

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... De no ser por el reflejo del flash, era el "beso" perfecto...
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Laurie Anderson - O Superman (1982)

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from album "BIG SCIENCE" (1982)

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las + carátulas

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............................... La fé lo puede casi todo...
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Aristófanes - Las Ranas

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Laurie Anderson, John Giorno & William S. Burroughs - You're The Guy I Want To Share My Money With (1981)

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tracks
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Laurie Anderson
Dr. Miller
Saxophone - Perry Hoberman
Synthesizer, Percussion, Performer [Pa] - Laurie Anderson
Written-By - Laurie Anderson , Perry Hoberman
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Laurie Anderson
It Was Up In The Mountains
Voice [Read By] - Paul From L.A.
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Laurie Anderson
Drums
Drums - Wharton Tiers
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Laurie Anderson
Closed Circuits
Electronics [Microphone Stand Turned Through Harmonizer], Percussion [Wood Block] - Laurie Anderson
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Laurie Anderson
Born, Never Asked
Organ [Farfisa], Handclaps, Violin, Marimba - Laurie Anderson
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John Giorno
I Don't Need It, I Don't Want It, And You Cheated Me Right Out Of It
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John Giorno
Completely Attached To Delusion
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William S. Burroughs
Introducing John Stanley Hart; He Entered The Bar With The Best Intentions (from “Ah Pook Is Here”)
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William S. Burroughs
Twilight's Last Gleamings
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William S. Burroughs
My Protagonist Kim Carson (from “The Place Of Dead Roads”)
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William S. Burroughs
Salt Chunk Mary; Like Mr. Hart, Kim Has A Dark Side To His Character (from “The Place Of Dead Roads”)
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William S. Burroughs
Progressive Education (from “The Place Of Dead Roads”)
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William S. Burroughs
The Wild Fruits (from “The Place Of Dead Roads”)
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William S. Burroughs
The Unworthy Vessel (from “Nova Express”)
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Laurie Anderson
For Electronic Dogs / Structuralist Film Making
Drums - Wharton Tiers
Violin, Electronics - Laurie Anderson

. William S. Burroughs
His Name Is Clem Snide (from “Cities Of The Red Night”) / Hart Couldn't Hear The Word Death (from “Ah Pook Is Here”)
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John Giorno
Excerpt From Put Your Ear To Stone & Open Your Heart To The Sky
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Laurie Spiegel - "Concerto Generator" (1977)

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Laurie Spiegel playing improvisation on a "Concerto Generator" with the Bell Labs Digital Synthesizer, better known as the Alles Machine or Alice, an experimental additive synthesizer designed by Harold G. Alles and Douglas Bayer at Bell Labs (NJ) in 1977-78.

Written by Laurie in C language software (created in 1972 by Dennis M. Ritchie), this composition was commissioned by Bell Labs and the Motion Picture Academy for the 50th anniversary of talking pictures.

The instrument is possibly the first realtime digital synthesizer.
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Various - New Music For Electronic And Recorded Media (1977) [1997]

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.reissue 1997 (subtitled "Women In Electronic Music")

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Selection: Charles Amirkhanian

tracks

Johanna M. Beyer - Music Of The Spheres [1938] *
Performed by The Electric Weasel Ensemble
Donald Buchla - Frequency Shifting
Brenda Hutchinson - Pulse Control
Allen Strange , David Morse , Stephen Ruppenthal - Synthesizer
Charles Amirkhanian - Triangle

Annea Lockwood - World Rhythms [1975]

Pauline Oliveros - Bye Bye Butterfly [1965]

Laurie Spiegel - Appalachian Grove I [1974]

Megan Roberts - I Could Sit Here All Day [1976]
Danny Sofer - Drums
Phill Loarie & William Novak - Voice

Ruth Anderson - Points [1973-74]

Laurie Anderson - New York Social Life [1977]
Scott Johnson - Tambura
Laurie Anderson - Voice, Performer (Telephone)

Laurie Anderson - Time To Go (For Diego) [1977]
Scott Johnson - Guitar, Organ
Laurie Anderson – Voice, Violin


(*) The ideas of early electro-acoustic composers exceeded the available technology. The first performance of "Music Of The Spheres" as conceived by Beyer was produced and recorded in 1977 specifically for this album (for example, the violins were replaced for the three electronic instruments specified in her original score).

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.original 1977
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Marbert Rocel - Taken From the Album "Catch A Bird" 12'' (2009)

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Various - Airwaves (1977)

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performances compiled by Bob George
double Lp

A-side
Vito Acconci - Ten Packed Minutes [1977], musical excerpts from the recordings by Leon Redbone, Cow Cow Davenport, Eric Dolphy, Ornette Coleman and Karl Berger
Jana Haimsohn - Hav'a Lava Flow [1977]
Terry Fox - The Labyrinth Scored For The Purrs Of 11 Different Cats [1976], cutting

B-side
Julia Heyward - Mongolian Face Slap Big Coup (Part One) Nose Flute (Part Two) [1977]
Dennis Oppenheim - Broken Record Blues [1976]
Meredith Monk - Rally, for 25 voices [1975-76]
Meredith Monk - Procession, voice and piano from the opera "Quarry" [1975-76]

C side
Diego Cortez – Arbiter [1975]
Diego Cortez - You Pay [1975] (Sound track for the film "Poisoning", 1975)
Jim Burton - High Country Helium [1976] (with John Deak - viola, percussion, Ed Friedman - Bottle Neck Guitar, Jim Burton - Peddle Steel)
Leandro Katz - Animal Hours [1977] (Votes: Judith Hindra, Ellen Friedenberg, Ted Castle, Leandro Katz)
Connie Beckley - Triad Triangle [1977]

D side
Laurie Anderson - Two Songs For Tape Bow Violin*: Ethics Is The Esthetics Of The Few-Ture (Lenin), Song For Juanita [1977]
Laurie Anderson - Is Anybody Home [1976] (for ship's siren, camera, stairs, piano and vocals, with Peter Gordon - clarinet; Joe Kos - drums, Scott Johnson - Bass; Laurie Anderson - vocals and violin)
Laurie Anderson - It's Not The Bullett That Kills You - It's The Hole (For Chris Burden) [1976] (with Scott Johnson - guitar, bass, Joe Kos - drums, Ken Deilik - harmonica; Laurie Anderson - violin and vocals, Scott Johnson, Laurie Anderson and Ken Deifik - Arrangement)
Diego Cortez - Cataract Monologue [1976] (excerpts of a speech on “April meeting”, Belgrade, 1976)
Jacki Apple - Black Holes / Blue Sky Dreams
Richard Nonas - What Do You Know [1976-77]


(*) Laurie Anderson, Two Songs for Tape Bow Violin (single) Holly Solomon Gallery, New York, 1977. Produced by Bob George, was part of Laurie Anderson one-woman show at the Holly Solomon Gallery in New York, and was displayed in a juke-box. The show contained work which was considered part of the at the time very much acknowledged “narrative art”. Laurie Anderson carried this movement, which mainly used a combination of fotografy and text into the new context of analogue and electronic audiovisual media and their application in performance art.
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Early Anderson

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. "Duets Sobre Hielo" (1974)

[Documental-Foto: Bob Bielecki]

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. "Big Ego", Artistas Varios en estilo Experimental, Spoken Word, etc.
Laurie Anderson participó en el surco A4 “Three Expediences”

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Rara edición limitada (sólo en cassette), con dos surcos de Anderson (Psycho Acoustics 1 y 2)...

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. ... & Julia Heyward.

"Psycho Acoustics", performance 17.05.1979

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. Heyward - Anderson

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Solo For Tape Bow Violin* (1979)
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. * Tape-bow violin
. El violín cinta-arco es un instrumento creado por Laurie Anderson en 1977. Utiliza registros en cinta magnética en lugar de la crin de caballo tradicional en la proa, y una cabeza de cinta magnética en el puente. Anderson ha actualizado y modificado este dispositivo a través de los años. Ella puede ser vista usando una generación posterior de este dispositivo en su película Home of the Brave durante el segmento "Late Show" en el cual "juega" con la voz de William S. Burroughs: ..."listen to my heartbeat"... "listen"... "listen"...

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IntegrArte de Tapa

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....... La superposición no quedó tan pareja como la idem ...
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Colomba Biasco - Música en vivo

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