Various - New Music For Electronic And Recorded Media (1977) [1997]
>> 4 nov 2009
.reissue 1997 (subtitled "Women In Electronic Music")
.
Selection: Charles Amirkhanian
tracks
Johanna M. Beyer - Music Of The Spheres [1938] *
Performed by The Electric Weasel Ensemble
Donald Buchla - Frequency Shifting
Brenda Hutchinson - Pulse Control
Allen Strange , David Morse , Stephen Ruppenthal - Synthesizer
Charles Amirkhanian - Triangle
Annea Lockwood - World Rhythms [1975]
Pauline Oliveros - Bye Bye Butterfly [1965]
Laurie Spiegel - Appalachian Grove I [1974]
Megan Roberts - I Could Sit Here All Day [1976]
Danny Sofer - Drums
Phill Loarie & William Novak - Voice
Ruth Anderson - Points [1973-74]
Laurie Anderson - New York Social Life [1977]
Scott Johnson - Tambura
Laurie Anderson - Voice, Performer (Telephone)
Laurie Anderson - Time To Go (For Diego) [1977]
Scott Johnson - Guitar, Organ
Laurie Anderson – Voice, Violin
(*) The ideas of early electro-acoustic composers exceeded the available technology. The first performance of "Music Of The Spheres" as conceived by Beyer was produced and recorded in 1977 specifically for this album (for example, the violins were replaced for the three electronic instruments specified in her original score).
tracks
Johanna M. Beyer - Music Of The Spheres [1938] *
Performed by The Electric Weasel Ensemble
Donald Buchla - Frequency Shifting
Brenda Hutchinson - Pulse Control
Allen Strange , David Morse , Stephen Ruppenthal - Synthesizer
Charles Amirkhanian - Triangle
Annea Lockwood - World Rhythms [1975]
Pauline Oliveros - Bye Bye Butterfly [1965]
Laurie Spiegel - Appalachian Grove I [1974]
Megan Roberts - I Could Sit Here All Day [1976]
Danny Sofer - Drums
Phill Loarie & William Novak - Voice
Ruth Anderson - Points [1973-74]
Laurie Anderson - New York Social Life [1977]
Scott Johnson - Tambura
Laurie Anderson - Voice, Performer (Telephone)
Laurie Anderson - Time To Go (For Diego) [1977]
Scott Johnson - Guitar, Organ
Laurie Anderson – Voice, Violin
(*) The ideas of early electro-acoustic composers exceeded the available technology. The first performance of "Music Of The Spheres" as conceived by Beyer was produced and recorded in 1977 specifically for this album (for example, the violins were replaced for the three electronic instruments specified in her original score).
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