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. .tracks One White Whale The Island Where I Come From Pieces And Parts Here With You Slip Away My Compensation Dark Angel Broken Washington Street Statue Of Liberty One Beautiful EveningLife On A String . credits Laurie Anderson vocal, keyboard, violin, gongs, percussion Ben Rubin bells Bill Frisell guitar Chris Speed saxophone Cuong Vu trumpet Danny Frankel percussion, hand claps, "box-o-toys" David Torn open loop Eric Friedlander cello Eyvind Kang violin Greg Cohen acoustic bass Hal Willner turntables, samples Jamshied Sharifi keyboards, strings Joey Baron percussion, drums John Kelly background vocal Liheng bariton banhu Lou Reed guitar Mino Cinelu percussion Mitchell Froom keyboards, claviola, mellotron, wurlitzer Mocean Worker beats, keyboards Peter Scherer keyboards, percussion Tom Nelis vocal Skúli Sverrisson bass, high bass, little organ, percussion programming Van Dyke Parks string arrangements, keyboards Vinicius Cantuaria percussion Ann Leathers, Carol Webb, Jan Mullen, Jonathan Dinklage, Ricky Sortomme, Joel Pitchon, Ellen Payne, Barry Finclair, Enrico Di Cecco, Heidi Modr & Jean Ingram: violin Sue Pray, Karen Dreyfus, Vincent Lionti & Judith Wilmer: viola Fredrick Zlotkin & Jeanne LeBlanc: cello Timothy Cobb bass .
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. from "HOME OF THE BRAVE: A film by Laurie Anderson" (1986) .
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. from album "BIG SCIENCE" (1982) .
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. . tracks . Laurie Anderson Dr. Miller Saxophone - Perry Hoberman Synthesizer, Percussion, Performer [Pa] - Laurie Anderson Written-By - Laurie Anderson , Perry Hoberman . Laurie Anderson It Was Up In The Mountains Voice [Read By] - Paul From L.A. . Laurie Anderson Drums Drums - Wharton Tiers . Laurie Anderson Closed Circuits Electronics [Microphone Stand Turned Through Harmonizer], Percussion [Wood Block] - Laurie Anderson . Laurie Anderson Born, Never Asked Organ [Farfisa], Handclaps, Violin, Marimba - Laurie Anderson . John Giorno I Don't Need It, I Don't Want It, And You Cheated Me Right Out Of It . John Giorno Completely Attached To Delusion . William S. Burroughs Introducing John Stanley Hart; He Entered The Bar With The Best Intentions (from “Ah Pook Is Here”) . William S. Burroughs Twilight's Last Gleamings . William S. Burroughs My Protagonist Kim Carson (from “The Place Of Dead Roads”) . William S. Burroughs Salt Chunk Mary; Like Mr. Hart, Kim Has A Dark Side To His Character (from “The Place Of Dead Roads”) . William S. Burroughs Progressive Education (from “The Place Of Dead Roads”) . William S. Burroughs The Wild Fruits (from “The Place Of Dead Roads”) . William S. Burroughs The Unworthy Vessel (from “Nova Express”) . Laurie Anderson For Electronic Dogs / Structuralist Film Making Drums - Wharton Tiers Violin, Electronics - Laurie Anderson . William S. Burroughs His Name Is Clem Snide (from “Cities Of The Red Night”) / Hart Couldn't Hear The Word Death (from “Ah Pook Is Here”) . John Giorno Excerpt From Put Your Ear To Stone & Open Your Heart To The Sky .
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. .reissue 1997 (subtitled "Women In Electronic Music") . Selection: Charles Amirkhanian
tracks
Johanna M. Beyer - Music Of The Spheres [1938] * Performed by The Electric Weasel Ensemble Donald Buchla - Frequency Shifting Brenda Hutchinson - Pulse Control Allen Strange , David Morse , Stephen Ruppenthal - Synthesizer Charles Amirkhanian - Triangle
Annea Lockwood - World Rhythms [1975]
Pauline Oliveros - Bye Bye Butterfly [1965]
Laurie Spiegel - Appalachian Grove I [1974]
Megan Roberts - I Could Sit Here All Day [1976] Danny Sofer - Drums Phill Loarie & William Novak - Voice
Ruth Anderson - Points [1973-74]
Laurie Anderson - New York Social Life [1977] Scott Johnson - Tambura Laurie Anderson - Voice, Performer (Telephone)
Laurie Anderson - Time To Go (For Diego) [1977] Scott Johnson - Guitar, Organ Laurie Anderson – Voice, Violin
(*) The ideas of early electro-acoustic composers exceeded the available technology. The first performance of "Music Of The Spheres" as conceived by Beyer was produced and recorded in 1977 specifically for this album (for example, the violins were replaced for the three electronic instruments specified in her original score). .
.original 1977 .
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. . performances compiled by Bob George double Lp
A-side Vito Acconci - Ten Packed Minutes [1977], musical excerpts from the recordings by Leon Redbone, Cow Cow Davenport, Eric Dolphy, Ornette Coleman and Karl Berger Jana Haimsohn - Hav'a Lava Flow [1977] Terry Fox - The Labyrinth Scored For The Purrs Of 11 Different Cats [1976], cutting
B-side Julia Heyward - Mongolian Face Slap Big Coup (Part One) Nose Flute (Part Two) [1977] Dennis Oppenheim - Broken Record Blues [1976] Meredith Monk - Rally, for 25 voices [1975-76] Meredith Monk - Procession, voice and piano from the opera "Quarry" [1975-76]
C side Diego Cortez – Arbiter [1975] Diego Cortez - You Pay [1975] (Sound track for the film "Poisoning", 1975) Jim Burton - High Country Helium [1976] (with John Deak - viola, percussion, Ed Friedman - Bottle Neck Guitar, Jim Burton - Peddle Steel) Leandro Katz - Animal Hours [1977] (Votes: Judith Hindra, Ellen Friedenberg, Ted Castle, Leandro Katz) Connie Beckley - Triad Triangle [1977]
D side Laurie Anderson - Two Songs For Tape Bow Violin*: Ethics Is The Esthetics Of The Few-Ture (Lenin), Song For Juanita [1977] Laurie Anderson - Is Anybody Home [1976] (for ship's siren, camera, stairs, piano and vocals, with Peter Gordon - clarinet; Joe Kos - drums, Scott Johnson - Bass; Laurie Anderson - vocals and violin) Laurie Anderson - It's Not The Bullett That Kills You - It's The Hole (For Chris Burden) [1976] (with Scott Johnson - guitar, bass, Joe Kos - drums, Ken Deilik - harmonica; Laurie Anderson - violin and vocals, Scott Johnson, Laurie Anderson and Ken Deifik - Arrangement) Diego Cortez - Cataract Monologue [1976] (excerpts of a speech on “April meeting”, Belgrade, 1976) Jacki Apple - Black Holes / Blue Sky Dreams Richard Nonas - What Do You Know [1976-77]
(*) Laurie Anderson, Two Songs for Tape Bow Violin (single) Holly Solomon Gallery, New York, 1977. Produced by Bob George, was part of Laurie Anderson one-woman show at the Holly Solomon Gallery in New York, and was displayed in a juke-box. The show contained work which was considered part of the at the time very much acknowledged “narrative art”. Laurie Anderson carried this movement, which mainly used a combination of fotografy and text into the new context of analogue and electronic audiovisual media and their application in performance art. .
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. . "Duets Sobre Hielo" (1974) [Documental-Foto: Bob Bielecki] .
. "Big Ego", Artistas Varios en estilo Experimental, Spoken Word, etc. Laurie Anderson participó en el surco A4 “Three Expediences” . . Rara edición limitada (sólo en cassette), con dos surcos de Anderson (Psycho Acoustics 1 y 2).... . ... & Julia Heyward. "Psycho Acoustics", performance 17.05.1979 . . Heyward - Anderson
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. Solo For Tape Bow Violin* (1979) .
 . * Tape-bow violin . El violín cinta-arco es un instrumento creado por Laurie Anderson en 1977. Utiliza registros en cinta magnética en lugar de la crin de caballo tradicional en la proa, y una cabeza de cinta magnética en el puente. Anderson ha actualizado y modificado este dispositivo a través de los años. Ella puede ser vista usando una generación posterior de este dispositivo en su película Home of the Brave durante el segmento "Late Show" en el cual "juega" con la voz de William S. Burroughs: ..."listen to my heartbeat"... "listen"... "listen"... .
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. from album "HOMELAND" [unreleased] (have to wait until 2010??) .
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. Original from album "Strange Angels" (1987), and this video version appears in maxi-single "Beautiful Red Dress" (1990). Anderson mocks the clichéd excuses used by the male establishment to suppress women. Emphasizes the ironic feminist message by using an all-girl band all dressed in red. .
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from "HOME OF THE BRAVE: A film by Laurie Anderson" (1986) original song from "MISTER HEARTBREAK" (1984)
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. .The End Of The World The Salesman The Night Flight From Houston Word Of Mouth The Soul Is A Bird The Ouija Board The Ugly One With The Jewels The Geographic North Pole John Lilly The Rotowhirl On The Way To Jerusalem The Hollywood Strangler Maria Teresa Teresa Maria Someone Else's Dream White Lily The Mysterious "J" The Cultural Ambassador Same Time Tomorrowcredits Brian Eno keyboards Cyro Baptista gongs, surdo, shaker Gerry Leonard guitar Greg Coeh bass Joey Baron drums Laurie Anderson vocals, keyboards, violin.
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. .Speechless Bright Red The Puppet Motel Speak My Language World Without End Freefall Muddy River Beautiful Pea Green Boat Love Among the Sailors Poison In Our Sleep Night in Baghdad Tightrope Same Time Tomorrow . . credits . Adrian Belew guitar Arto Lindsay vocals Ben Fenner bass Brian Eno keyboards, treatments, loops Cyro Baptista percussion Dougie Bowne drums Gerry Leonard guitar Greg Cohen guitar, bass Guy Klucevsek accordion Jamie West-Oram guitar Joey Baron drums Kevin Killen treatments Laurie Anderson vocals, keyboards Lou Reed guitar, vocals Marc Ribot guitar Neil Conti percussion Peter Scherer keyboards Phil Ballou back-up vocals . . World Without End (Laurie Anderson)
I remember where i came from There were burning buildings and a fiery red sea I remember all my lovers I remember how they held me World without end remember me.
East. the edge of the world. West. those who came before me.
When my father died we put him in the ground When my father died it was like a whole library Had burned down. World without end remember me. .
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. . Strange Angels Monkey's Paw Coolsville Ramon Babydoll Beautiful Red Dress The Day The Devil The Dream Before My Eyes Hiawatha .creditsPaulette McWilliams Vocals (Background), Choir, Chorus Hugh McCracken Harmonica Leon Pendarvis Drums, Drum Programming Ray Phiri Guitar Lenny Pickett Saxophone, Sax (Tenor), Horn Arrangements Ian Ritchie Percussion Suzzy Roche Vocals (Background) Peter Scherer Bass, Drum Programming, Keyboards John Selolwane Guitar David Spinozza Guitar Mike Thorne Percussion, Percussion Programming, Keyboards Steve Turre Trombone, Conch Shell David Van Tieghem Percussion Gib Wharton Pedal Steel Diane Wilson Vocals (Background), Choir, Chorus Terre Roche Vocals (Background) Crusher Percussion Bill Buchen Percussion Eric Liljestrand Programming, Sampling, Drum Programming Maggie Roche Vocals (Background) Lew Del Gatto Sax (Baritone) Bennie Ballou Vocals (Background) Angela Clemmons Vocals (Background), Choir, Chorus Bakithi Kumalo Bass, Fretless Bass Ian Ritchi Percussion Programming T-Bone Wolk Accordion Alex Foster Sax (Alto) Chris Spedding Guitar Darryl Tookes Vocals (Background), Choir, Chorus Jimi Tunnell Guitar Lisa Fischer Vocals (Background), Choir, Chorus Arto Lindsay Guitar B.J. Nelson Vocals (Background), Choir, Chorus Joey Baron Drums Manolo Badrena Percussion Phillip Ballou Vocals (Background), Choir, Chorus Cyro Baptista Percussion Jimmy Bralower Drums, Programming, Drum Programming Kenny Kosek Violin Benny Diggs Vocals (Background), Choir Master, Choir, Chorus Anton Fier Drums Laurie Frink Trumpet Steve Gadd Drums Earl Gardner Trumpet Sue Hadjopoulas Percussion Robbie Kilgore Bass, Keyboards Dave Lebolt Keyboards Yolanda Lee Vocals (Background) Tony Levin Stick, Chapman Stick Mark Egan Bass Scott Johnson Guitar "Blue" Gene Tyranny Keyboards Naná Vasconcelos Percussion Laurie Anderson Percussion, Keyboards, Vocals, Producer, Drum Programming, Percussion Programming Peter Laurence Gordon Composer Mark Dresser Bass Bobby McFerrin Vocals . . My Eyes (Laurie Anderson) . Sometimes i wish i hadn`t gotten that tattoo sometimes i wish i`d married you one hundred fires one hundred days sometimes i feel like a stranger sometimes i tell lies (whoa ho) sometimes i act like a monkey here come the night and then kerjillions of stars start to shine and icy comets go whizzing by and everything`s shaking with a strange delight and here it is: the enormous night and oo my eyes they`re lookin all around and oo my feet i`m upside down if i were the president if i were queen for a day i`d give the ugly people all the money i`d re-write the book of love i`d make it funny wheel of fortune wheel of fame two hundred forty million voices two hundred forty million names and down in the ocean where nobody goes some fish are fast some are slow some swim round the world some hide below this is the ocean so deep so old. and then kerjillions of stars start to shine and icy comets go whizzing by and everything`s shaking with a strange delight and here it is: the enormous night and oo my eyes they`re lookin all around and oo my feet they`ve left the ground so cry me a river that leads to a road that turns into a highway that goes and goes and tangles in your memories so long so old. .
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. . (*) taken from "Home Of The Brave: A Film by Laurie Anderson" (1986) Director: Laurie Anderson Writer: Laurie Anderson Original Music by Laurie Anderson Cinematography by John Lindley+info. tracks Smoke Rings White Lily Late Show Talk Normal Language Is a Virus Radar Sharkey's Night Credit Racket
credits Laurie Anderson vocals, keyboards, synclavier, synclavier violin Joy Askew keyboards, Moog, Prophet, DX-7, vocals Adrian Belew guitar Richard Landry clarinet, saxophone Dolette McDonald vocals Janice Pendarvis vocals David Van Tiegham drums and percussion Rob Sabrino keyboards, Morse code Nile Rodgers guitar, keyboards, Synclavier, crowd William S. Burroughs vocals sample Robert Arron sax Curtis King backing vocals Frank Simms backing vocals Diane Garisto backing vocals Tawatha Agee backing vocals Brenda White-King backing vocals Tom Durack crowd Knut Bahn crowd Daniel Ponce percussion Isidro Bobadillo percussion Bill Laswell bass .
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.(*) Recorded in New York City at the Brooklyn Academy of Music, February 7-10, 1983 .
.tracks Part One Say Hello Walk The Dog Violin Solo Closed Circuits For A Large And Changing Room Pictures Of It Language Of The Future Cartoon Song Small Voice Three Walking Songs The Healing Horn New Jersey Turnpike So Happy Birthday English Dance Of Electricity Three Songs For Paper, Film And Video Sax Solo Sax Duet Born, Never Asked
Part Two
From The Air Beginning French O Superman Talkshow Frames For The Pictures Democratic Way Looking For You Walking And Falling Private Property Neon Duet Let X=X The Mailman's Nightmare Difficult Listening Hour Language Is A Virus From Outer Space Reverb If You Can't Talk About It, Point To It Violin Walk City Song Finnish Farmers
Part Three
Red Map Hey Ah Bagpipe Solo Steven Weed Time And A Half Voices On Tape Example #22 Strike False Documents New York Social Life A Curious Phenomenon Yankee See I Dreamed I Had To Take A Test... Running Dogs Four, Three, Two, One The Big Top It Was Up In The Mountains Odd Objects Dr. Miller Big Science Big Science Reprise
Part Four
Cello Solo It Tango Blue Lagoon Hothead (La Langue D'Amour) Stiff Neck Telephone Song Sweathers We've Got Four Big Clocks Song For Two Jims Over The River Mach 20 Rising Sun The Visitors The Stranger Classified Going Somewhere? Fireworks Dog Show Lightning Out For The Territories .
. credits . Part One: Laurie Anderson mic stand, violin bows, tape bow violin, electric violin, harmonizer, pillow speaker, toy saxophone, voice Peter Gordon prophet synthesizer, voice Geraldine Pontius voice Joe Kos voice Chuck Fiser sax Bill Obrecht sax
Part Two: Laurie Anderson vocoder, electric violin, harmonizer, neon bow, glasses, OBXa, voice Ann DeMarinis OBXa and synclavier Chuck Fisher clarinet and sax Bill Obrecht flute and sax David Van Tiegham percussion and drums
Part Three: Laurie Anderson electric violin, OBXa, tamboura, telephone, tape bow violin, vocoder, harmonizer, neon violin, synclavier, voice Roma Baran accordion Ann DeMarinis OBXa and synclavier Chuck Fisher sax and clarinet Rufus Harley bagpipes Shelly Karson soprano Bill Obrecht sax David Van Tiegham percussion and drums
Part Four: Laurie Anderson synclavier, vocoder, telephone, jew's harp, electric violin, OBXa, voice Ann DeMarinis OBXa and synclavier Chuck Fisher sax and clarinet Bill Obrecht sax David Van Tiegham drums and percussion Shelley Karson soprano .
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Puede ser que sí, puede ser que no, o puede ser que quién sabe...
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